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I did not buy jewelry or pretty porcelain mugs at the market. Only a flimsy orange umbrella and a rainhat. To enhance my daily walks in the rain. Without rainboots. I did not exactly arrive 15 minutes early, as the ticket suggested, but I was five minutes early. I ran.

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In the rain. Through the puddles. My shoes were flooded. The bus was waiting.

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A third bus pulled up. Now this is different than being stuck in Venice and arriving in Ljubljana a few hours later than expected. All that was waiting for me on the other end was a little more rain. But the return trip: well, timing matters a great deal when one needs to go to the airport at 5am, to arrive at 8am, for an 11am flight. One cannot mess around with phantom busses and second bookings.

With my emergency international SIM card I did all manner of googling. Buses, trains, shuttles, rideshares.

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But I knew already that it was hopeless. I had done all the same research two weeks earlier when I booked the 5am bus. It was the only option. Could I book a later plane ticket, so I could take a later bus? How do I do that, sitting at a Slovenian bus stop at am?

I have to go to work tomorrow. I have a super-important thing to do at work tomorrow. I have to get to the airport.

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Oh, my stomach, and the stone that dropped into it when I considered the cost of a km taxi ride. But what else could I do?

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Oh, my stomach, and the second stone that dropped into it, when I realized that this would not be a straight-forward, European-style conversation. I will give you the lowest rate. The lowest tariff indicated was 1. I showed him, on my phone. He called. Maybe there is some compassion in this world. You just need to sign your name on the invoice. The rocks in my stomach lifted the tiniest bit. I will speak proudly of this ruthless haggling when I return to Morocco.

Do you have any idea what the cost of living is in [insert city here]?

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This is not okay! Scant this excess. No subject in Merchant escapes the language of money. Another scene where wordplay has delightfully comedic effect comes in Act I, where Portia snarks to Nerissa about her unwanted suitors:. But not all instances of wordplay in Merchant are comedic. The different uses of poetry and prose in The Merchant of Venice generally follow a division between social classes. Shakespeare rarely upholds this division in any strict way, but the general tendency certainly appears in Merchant.

Take, for instance, the servant Launcelot. For instance, the merchants typically use prose in their financial dealings. This use of prose is on display at the beginning of Act I, scene iii, where Bassanio approaches Shylock with his proposal for a loan. However, the use of prose gets interrupted when Shylock expresses his profound hatred of Antonio in an aside:.

Hemingway, the Sensualist | The New Yorker

After these lines, the men continue to speak in verse, which signals that the loan under discussion has become a matter more serious than just a financial exchange. Here, too, emotional intensity dictates form. In Act I, scene ii, Portia speaks in prose as she bemoans her miserable fortunes in love.

This scene takes place in private with Nerissa. However, as soon as discourse on love becomes public, as when her suitors—especially Bassiano—play the casket game, more formal verse prevails. There is only one law: there must be no Brexit Rod Liddle. MPs and the outrage game Douglas Murray. The apotheosis of St. Greta Dominic Green. Brexit voters do feel betrayed. Has Boris Johnson ruined his chances of passing a Brexit deal? Jacques Chirac leaves behind a limited legacy John Keiger.

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